As a child I was always told the dark could not hurt me, that the shadows creeping in the corners of my room were nothing more than just that, shadows. The sounds nothing more than the settling of our old home, creaking as it found comfort in the earth only to move again when it became restless, if ever so slightly. I would never sleep without closing the closet door, oh no; the door had to be shut tight. The darkness lurking inside needed to be held at bay, the whispers silenced. Rest would only come after I checked under the bed at least twice and quickly wrapped myself in the safety of the sheets (which no monster could penetrate), pulling them tight over my head.
I would never go down to the basement.
I had seen enough movies to know better, I had read enough stories to know what happens to little boys who wandered off into dark, dismal places alone. And there were stories, so many stories.
Reading was my sanctuary, a place where I could disappear for hours at a time, lost in the pages of a good book. It didn’t take long before I felt the urge to create my own.
I first began to write as a child, spinning tales of ghosts and gremlins, mystical places and people. For most of us, that’s where it begins—as children we have such wonderful imaginations, some of us have simply found it hard to grow up. I’ve spent countless hours trying to explain to friends and family why I enjoy it, why I would rather lock myself in a quiet little room and put pen to paper for hours at a time than throw around a baseball or simply watch television. Don’t get me wrong, sometimes I want to do just that, sometimes I wish for it, but even then the need to write is always there in the back of my mind, the characters are impatiently tapping their feet, waiting their turn, wanting to be heard. I wake in the middle of the night and reach for the pad beside my bed, sometimes scrawling page after page of their words, their lives. Then they’re quiet, if only for a little while. To stop would mean madness, or even worse—the calm, numbing sanity I see in others as they slip through the day without purpose. They don’t know what it’s like, they don’t understand. Something as simple as a pencil can open the door to a new world, can create life or experience death. Writing can take you to places you’ve never been, introduce you to people you’ve never met, take you back to when you first saw those shadows in your room, when you first heard the sounds mumbling ever so softly from your closet, and it can show you what uttered them. It can scare the hell out of you, and that’s when you know it’s good.
J.D. Barker (Jonathan Dylan Barker) is an international bestselling American author who’s work has been broadly described as suspense thrillers, often incorporating elements of horror, crime, mystery, science fiction, and the supernatural.
Barker was born January 7, 1971 in Lombard, Illinois and spent the first fourteen years of his life in Crystal Lake, Illinois. A staunch introvert, he was rarely seen without a book in hand, devouring both the Hardy Boys and Nancy Drew series by the age of six before moving on to classics such as the works of Dickens and Twain. The discovery of Shelley, Stoker and Poe fueled a fire and it wasn’t long before he was writing tales of his own which he shared with friends and family. These early stories centered around witches and ghosts thought to inhabit the woods surrounding their home.
At fourteen, Barker’s family relocated to Englewood, Florida, a climate better suited to his father’s profession as a contractor. He attended Lemon Bay High School and graduated in 1989. Knowing he wanted to pursue a career in the arts but unsure of a direction, he enrolled at the Art Institute of Fort Lauderdale where he later obtained a degree in business. While in college, one of his writing assignment found its way into the hands of Paul Gallotta of Circus Magazine. Gallotta reached out to Barker and asked him to join the staff of 25th Parallel Magazine where he worked alongside the man who would later become Marilyn Manson. Assignments dropped him into the center of pop culture and by 1991 Barker branched out, interviewing celebrities for the likes of Seventeen, TeenBeat, and other national and local publications. In 1992, Barker syndicated a small newspaper column called Revealed which centered around the investigation of haunted places and supernatural occurrences. While he often cites these early endeavors as a crash course in tightening prose, his heart remained with fiction. He began work as a book doctor and ghostwriter shortly thereafter, helping others fine tune their writing for publication. Barker has said this experience proved invaluable, teaching him what works and what doesn’t in today’s popular fiction. He would continue in this profession until 2012 when he wrote a novel of his own, titled Forsaken.
Stephen King read portions of Forsaken prior to publication and granted Barker permission to utilize the character of Leland Gaunt of King’s Needful Things in the novel. Indie-published in late 2014, the book went on to hit several major milestones – #2 on Audible (Harper Lee with Go Set a Watchman held #1), #44 on Amazon U.S., #2 on Amazon Canada, and #22 on Amazon UK. Forsaken was also nominated for a Bram Stoker Award (Best Debut Novel) and won a handful of others including a New Apple Medalist Award. After reading Forsaken, Bram Stoker’s family reached out to Barker and asked him to co-author a prequel to Dracula utilizing Bram’s original notes and journals, much of which has never been made public.
Barker’s indie success drew the attention of traditional agents and publishers and in early 2016 his debut thriller, The Fourth Monkey, sold in a series of pre-empts and auctions worldwide with Houghton Mifflin Harcourt set to publish in the U.S. and HarperCollins in the UK. The book has also sold for both film and television.
Barker splits his time between Englewood, FL, and Pittsburgh, PA, with his wife, Dayna.